by Jinny Webber | Jul 26, 2019 | Sex and Gender in Shakespeare's England |
The fashionable Englishman is “the ape of all nation’s superfluities, the continual Masquer of outlandish habiliments.” Thomas Nashe, Summer’s Last Will and Testament, quoted by Jane Ashelford, Dress in the Age of Elizabeth I, 1988 Elizabethan loved costumes....
by Jinny Webber | Jul 6, 2019 | Sex and Gender in, Sex and Gender in Shakespeare's England |
As anyone who scrolls through these posts can see, I’ve covered pretty much all the central issues of sex and gender in Shakespeare’s England, from boy actors and stage practice to cross-dressing and homosexuality to women’s literacy and sex by deception, or in other...
by Jinny Webber | Apr 27, 2019 | Sex and Gender in Shakespeare's England |
Basically, “Sex by Deception” describes the bedtrick plots of Shakespeare’s plays Measure for Measure and All’s Well That Ends Well. To preserve the chastity of Isabella, the novitiate in Measure for Measure, a substitute sleeps with Angelo—his jilted fiancé Mariana....
by Jinny Webber | Jan 14, 2019 | Boy actors on Shakespeare's stage, Gender fluidity, Sex and Gender in Shakespeare's England, Shakespeare and Film |
Isaac Butler’s review, All Is True Is a Shakespeare Biopic for the #MeToo Generation, is subtitled “Kenneth Branagh’s new movie is part fact, part fan fiction.” https://slate.com/culture/2018/12/all-is-true-shakespeare-movie-accuracy-kenneth-branagh-hamnet.html...
by Jinny Webber | Oct 31, 2018 | Gender fluidity, Sex and Gender in Shakespeare's England |
The bedtrick: sex with a partner who pretends to be someone else. [Introduction, Wendy Doniger, The Bedtrick: Tales of Sex and Masquerade, University of Chicago, 2000.] Two of Shakespeare’s plays, All’s Well That Ends Well and Measure for Measure, make use of the plot...
